Sunday, October 4, 2015

Art's In Our Lives

Welcome to Arts and Humanities Month.  President Obama's proclamation (click) is not likely to make headlines, competing as it must with Putin's Syrian escalation, the Roseburg tragedy, resurgent Taliban,  slumping Trump, Malaprop Kevin McCarthy, Europe's migrant mess,  Francis' admonitions and all the rest of the turmoil that dominates our attention.  But Arts and Humanities Month should ... for it is the arts and humanities that make us, at root, civilized in spite of the inhumanities we deliver on each other.

By coincidence, Ann and I started off the month with a burst: Thursday at ACT to see the premiere of Steven Dietz' new play, Bloomsday, inspired by and an ingenious twist on Joyce's Ulysses; Friday at SAM to view the Mellon collection, Intimate Impressionism, from the National; Saturday morning at the opener of the Met HD season, La Traviata, and Saturday evening at SRJO's performance of Count Basie's 1960s collaborations with Sinatra -- It might As Well Be Swing and Sinatra at the Sands.  And in between, our house is filled with music.

The arts matter to us.  For a UW course on the history of the '60s Ann is reading Making of the President, 1960 and, next up, On The Road.   I will be at a Pratt Fine Arts Center marketing committee meeting Tuesday, at an Exec Committee session on Thursday, and later in the month, at a dinner for our Pratt instructors and artists at the Chihuly Garden and Glass.  This month, Ann will have her annual Seattle Chamber Society board retreat (she serves as Treasurer.)  And coming in the next four weeks: Seattle Rep theatre, Seattle Opera, and more Met HD.  Meanwhile, Vladimir, my in-process limestone challenge, patiently awaits my hammer and chisels at the Pratt stone studio.  We came home from Africa with only a found-driftwood sculpture, more decorative perhaps than fine art, by Botswanian Boniface Chickwenhere (we don't have room for any more major art in the house unless we have a remove-and-replace haggle, which neither of us has the guts to undertake.)   So, yes; arts matter to us -- and we believe, to our civilization.

The arts get short shrift in these times, what with funding needed for education, transportation infrastructure, homelessness and mental health -- not to mention the $51 billion authorized this year for overseas  military contingency operations -- read ISIS, Iraq and Afghanistan.  Think what that money could do -- a Marshall plan for Syria suggests Alexey, my new Russian-American friend; schools and hospitals in Iraq; support for an independent Kurdistan and one percent of it for the arts.  That would be  $510 million by the way, over three times the current budget for the National Endowment for the Arts.  But that's a mere hypothetical -- more Federal arts funding ain't gonna happen in this Congress nor with a Democratic one.

So that leaves contributions -- from state and local governments, foundations, and individuals.  Contributions keep art accessible and music orgs alive.  Program revenues, i.e., ticket sales, contracted performances and ancillary sales,  generates only 44% of what it takes to keep the symphony lights on; 42% at the opera; 32% at Seattle Chamber; 52% at Pratt; 44% at SRJO's jazz orchestra, 58% at ACT; 47% at the Seattle Rep. [1]  Neither Ann nor I like to ask folks for money; we don't like giving money very much, either.  But we do it -- for arts orgs matter to us and, we believe, to our society, to our sense of being civilized.

Yes, we know you care about social needs, education needs, poverty and mental health needs.  But if you haven't tacked an arts org onto your donation list, consider adding one -- theatre, children's theater, dance, pop music, literature orgs, whatever.  Small donations add up.  Arts matter -- to us and to you.      




[1] These are from the latest IRS 990s.  To check an org about which you might be curious, go to GuideStar  (http://www.guidestar.org/

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